Jamming with Tristan Louth-Robins. Enjoy!
http://www.lazerscale2010.com/track.php?id=633
http://www.lazerscale2010.com/track.php?id=634
http://www.lazerscale2010.com/track.php?id=635
Thursday, April 29, 2010
Sunday, April 25, 2010
New Track on 8BC and Chipmusic.org "I Am Still Breathing"
For SEGA Nomad and Atari 2600. http://8bitcollective.com/music/little-scale/I+Am+Still+Breathing/
Labels:
atari 2600,
chipmusic,
little-scale,
sega nomad
Monday, April 19, 2010
LiveDrummer v000 Source Code
Some people have asked for the source code for the Live Drummer v000 program I recently posted about. Grab the source here. Please note that the source code makes use of some of the template-like structure set up in the Hello World program by Maxim, which can be found here.
Labels:
chipmusic,
chiptech,
sega master system
Sunday, April 18, 2010
Saturday, April 17, 2010
LiveDrummer: A Live Drumming Program for SEGA Master System
Overview
I have finished LiveDrummer v000 for SEGA Master System. The current key presses are as follows:
• button 1: kick drum
• right: snare drum
• left: tom
• up: hi-hat
• down: cymbal
• hold button 2 + up / down / left or right: change the drum sounds
Building and Testing on Hardware



Demo Video
I have finished LiveDrummer v000 for SEGA Master System. The current key presses are as follows:
• button 1: kick drum
• right: snare drum
• left: tom
• up: hi-hat
• down: cymbal
• hold button 2 + up / down / left or right: change the drum sounds
Building and Testing on Hardware



Demo Video
Labels:
chipmusic,
chiptech,
LiveDrummer,
sega master system,
ym2413
Friday, April 16, 2010
LiveDrummer
Tonight I have started working on a program for the SEGA Master System which is designed for live use - specifically for controlling percussive material in real time. I look forward to using it in performances.
Disquiet.com on Improvisation WIth Field Recordings - Volume 1
Marc Weidenbaum of Disquiet.com has posted a review of my recent collaboration with Tristan Louth-Robins.
"The duo did a solid job of locating moments when the unique properties of their improvisation come to distinguish themselves, when the field recordings are prevalent versus when the relative artificiality of the introduced synthesis is more apparent, and when beats give way to a misty atmosphere."
Read the full write up here.
"The duo did a solid job of locating moments when the unique properties of their improvisation come to distinguish themselves, when the field recordings are prevalent versus when the relative artificiality of the introduced synthesis is more apparent, and when beats give way to a misty atmosphere."
Read the full write up here.
Labels:
collabs,
field recordings,
reviews
Wednesday, April 14, 2010
Poppi Doser and little-scale to Perform NIME 2010

Poppi Doser and I are to perform at NIME++, the exciting annual conference on new musical interfaces and surrounding ideas, concepts and projects. The international event is being held in Sydney this year (15 - 18 June), so if you're around please do come along. More information available on the NIME++2010 site.
Labels:
chipmusic,
collabs,
gigs,
little-scale
Sunday, April 11, 2010
One Week Left Until SEGA Music MiDI Interface Competition!
Only one week left until the submission deadline for the SEGA Music MIDI Interface Competition! So get chippin'.
More info on the competition can be found here.
More info on the competition can be found here.
Tristan Louth-Robins and Sebastian Tomczak: Improvisation With Field Recordings - Volume 1

Improvisation With Field Recordings - Volume 1
Tristan Louth-Robins: Laptop
Sebastian Tomczak: Laptop
Sixty-three minutes of thoughtful, introspective and cathartic computer music improvisation. Download here.
Labels:
collabs,
field recordings,
little-scale
Friday, April 09, 2010
Video Demo: Pitch Sequencer via Hardware
This is an example of using the slider interface as a simple pitch sequencer. Very few changes had to be made from the previous slider interface example:
• 3 resistors were removed
• 1 capacitor was added
• the audio output position was changed
• two paths were re-routed
That's the beauty of working with breadboards!
• 3 resistors were removed
• 1 capacitor was added
• the audio output position was changed
• two paths were re-routed
That's the beauty of working with breadboards!
Labels:
digital manipulation,
diy stuff,
physical control
Thursday, April 08, 2010
Periodic Waveform Editor for iPhone via TouchOSC

This is a simple periodic waveform editor for the iPhone / iPod Touch made using TouchOSC. The waveform has sixteen steps. There is also a slider that controls the frequency of the waveform.
This is not supposed to be something particularly useful; rather, it further explores the idea of touching sound, something that I have been fascinated with. You're welcome to muck around with this setup. Download the Max/MSP patch here and the TouchOSC template here.

DIY 8-Step Waveform Editor



This is an example application of using the previously-mentioned 8-slider thingy. An analog waveform can be changed by changing the position of the sliders. The sliders represent the shape of the waveform. This is achieved by multiplexing the resistance of each slider in sequential order, then outputting to a voltage divider. An 8-way analog multiplexer is used, as well as a binary counter and a simple square wave for timing generation.
The schematic is given below. Note that the pots are incorrectly labeled as 10k, although 10k pots are fine.
DIY 8-Slider Hardware Interface
Tuesday, April 06, 2010
This Is Not Gourmet Goes Vegan: Mexican Pies and Rice Patties
I have revived the cooking blog by Lauren and I by deleting older, poor-looking (but tasty) recipes. We are going to stick purely to vegan recipes now. Two new recipes are up to mark this revival: Mexican Pies with Vegan Cheese and Peanut Rice Patties with Spring Onion.


Monday, April 05, 2010
I Have Completed 100 Tracks for Lazerscale!

Somewhat of a milestone, I have now completed 100 tracks of the lazerscale project. Check out my material here.
Prepared Piano by Brian Green (Remixed by little-scale)
Brian Green writes:
"So when i got my package from Cold Gold Microphones she sent me a contact mic that had a magnet in it so i decided to give a go with it on the piano i am preparing." Read more here.
I have remixed his original audio using additional samples from FreeSound.org, specifically the following samples:
http://www.freesound.org/samplesViewSingle.php?id=40106
http://www.freesound.org/samplesViewSingle.php?id=21226
http://www.freesound.org/samplesViewSingle.php?id=20442
http://www.freesound.org/packsViewSingle.php?id=1550
Check out my remixes / reworkings here:
http://www.lazerscale2010.com/track.php?id=545
http://www.lazerscale2010.com/track.php?id=546
http://www.lazerscale2010.com/track.php?id=547
http://www.lazerscale2010.com/track.php?id=548
http://www.lazerscale2010.com/track.php?id=549
I had fun putting these remixes / reworkings together - so please enjoy!
Labels:
cool stuff by other people,
remixing
1-Minute Compilation Released!
I've got a track on a 1-minute chipmusic compilation. Check out this release here. My track is called "Ice Breaker Squadron" and is for Atari 2600.
Sunday, April 04, 2010
SEGA Mega Drive MIDI Interface Update: Presets
I have finally added all sixteen presets to the SEGA Mega Drive MIDI Interface. The sounds range from lead lines to music box, bass, drone pad and percussive.
Labels:
chipmusic,
chiptech,
sega mega drive / genesis
Thursday, April 01, 2010
little-scale: Slower Motion Living (2010)

Minimal SEGA Mega Drive Music with manipulated field recordings. You can hear an excerpt of this work here. Download the full work here.
Review: New Music At Emu #2: Robert Curgenven and Tristan Louth-Robins


Last Sunday I went to the second concert in the New Music At EMU series. The sound artist Robert Curgenven presented his only concert in Adelaide and was supported by EMU's own Tristan Louth-Robins.
Tristan performed first, presenting a pleasant mix of field recordings, sonic manipulations and slow-moving, thoughtful melodic elements within the context of laptop performance. I have seen Tristan perform a number of times, and I have to say that the material he presented in this set (all of which was new) is my favourite of his work so far. Very well composed and executed, his work has a strong sense of sonic subtlety whereby beautiful audio landscapes are built up over time, and straddle the lines between sound art, performance and pop aesthetic.
Robert's performance was more manual and hands on than Tristan's in the sense that the sound artist did not make use a computer or laptop, and instead relied on technology such as multiple CD players for audio playback of his material. The performance consisted of the mixing and mangling of multiple audio sources in real time. His set was both powerful and somehow soothing, in the sense that the audience can simply 'let go' and surrender to a torrent of sonic energy. An excellent set.
All in all, the evening was inspirational, and I want to thank Robert and Tristan for playing. Adelaide needs more of this!
Labels:
cool stuff by other people,
reviews
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